Some thoughts on BvS (again)

So…. I’m watching “Batman v Superman: Dawn of Justice”. Again. (I’ve lost count). I’m cleaning my sister and I’s room and I wanted to watch something relaxing. (I know, right?)

And I just wanted to express how much I appreciate the sequence of scenes depicting Superman’s introduction into Metropolis (yup, the one where Superman and General Zod tear into the city). I love it because, beyond Bruce’s origin story (for which are were gifted a beautiful opening sequence), we are given a glimpse into Bruce Wayne as a boss. In canon, he has a well-known “playboy billionaire” persona – women in fancy clothes (or lack thereof) draped over him, galas, skiing trips, etc. – which is as much a disguise to him as his Batsuit.

However, I rarely see any discussion about him as a businessman, or more interestingly, the boss of Wayne Enterprises. I mean, what’s he like in the board room, right? We see bits and pieces in comics, TV series, and movies, sure, but… not often like this.

In the film, we’re shown a boss whose first instinct when the catastrophe hit was to rush into a Wayne Enterprises building intent on saving as many lives in it as he can. It wasn’t to fetch his Batsuit or send in a battalion of rescue choppers on the company’s dime, but to literally run into the wreckage in a desperate attempt to save people who worked for/with him.

Clearly, this sequence was included as a catalyst, a motive for Batman to ruminate on as he readied himself for a showdown against this Superman. And, to make it extra personal, the victims/casualties were people Bruce personally knew – as Bruce Wayne, not Batman.

And the thing is, this is so believable to me because I remember a set of panels that shows what kind of boss Bruce really is. One he doesn’t claim to be, but just is (and behind the scenes, too). 

** Though, I have yet to remember exactly where they were from… but, I vaguely remember Alex Ross’ illustrations? Or not. Maybe not. Hmmm. I’ll post it should I find it again. **

Anyway. I remember that someone (maybe a member of the board) was telling Bruce that Wayne Enterprises had to lay some of its employees off because the company was losing money, and Bruce flat out refused, explaining that they had to think about the families that would be affected. 

I mean… right? For all we know, that was even a branch funding his underground family/vigilante operation.

In the real-world corporate setting, Bruce’s decision may be considered absurd. Lay offs are a practical but painful reality. And since Bruce is a fictional character, I guess he could afford to say no.

But, regardless, I think the writers meant to showcase the side of Bruce Wayne that makes him a legitimate superhero (as if being Batman weren’t enough). 

I’ve said it before – as have Bruce’s colleagues in the DC universe – that all those walls he built around himself are a defense mechanism because, well… Bruce just cares too darn much.

In conclusion, whenever Keefe says, “You’re the boss, Boss” after Bruce frees him from the rubble, I want to shout “Darn straight!” every time.

“I Found You”

We are both the same.

I’m Dick Grayson and you’re Bruce Wayne.

Though we both have different names,

We’re born to save the day.

We were meant to be together.

We’ve both been through some heavy weather.

It’s all I’ve wanted for so long.

A broken bone is twice as strong.

And I feel like we’re the perfect team.

The greatest the world’s ever seen. 

And it proves that wishes do come true,

‘Cause you’ve found me, and Batman I’ve found you.

It’s a brand new day.

Let the sunshine in and light up your Batcave.

There’s no reason to be scared of change.

We’re born to save the day

here, there’s no mistaking.

You’ve saved Gotham and saved my bacon.

All the villains just don’t stand a chance

Against the dynamic duo.

No, they don’t.


Song: here

From: The Lego Batman Movie (2017)

Artist: Fraser Murray


Listening to this song almost brings me to tears because, yeah, a young Dick would have totally sung this to Bruce in the Batman AU that we deserve. And even though Robin did bring the light to Batman’s dark, Bruce was Dick’s light at the end of the tunnel, too. 

Adorable. Adorable.

Batman v Superman had nothing but terrible reviews, but Zack Snyder and co. have made it very clear that it wasn’t made for the critics, but for the fans.

Max, WhatCulture (”100 Easter Eggs in Batman v Superman: Dawn of Justice”)

Some thoughts on the BvS anniversary

Watching “BvS” for the nth time a year after it premiered. And it still makes me tear up, just like it did during the opening sequence the first time I ever saw it. And that usually happens to me whenever I get the sense that a piece of art is going to do justice to another piece of art.

The perfection in casting (including a re-imagined Lex Luthor), the depth of dialogue, the ability of the music to engage, the visual tone that lets you know whether you’re in Gotham or Metropolis… just the attention to detail. Plus, I’ve got my suspicions as to which story arcs from the comics (canon) the DCEU has been taking elements from, so I’m sooo excited to see how it all plays out.

There were moments of levity, but not once do I remember thinking, “I wish there were more!”. And even those were a bit grim. Well, then. Welcome to the DC Universe, specifically the Batman Universe! So, yeah, there’s some context for everyone.

I’m sure we’ll be given more comedic moments when the Justice League unite and other personalities come into play. I mean, their banter in the comics? Gold. I don’t expect any slapstick humor, but I’d be okay without it, too, to be honest.

It wasn’t too much or too convoluted, in my opinion. No uneccessary fight scenes just to pander to audiences. It was as much “Bruce v Clark” as it was “Batman v Superman”. And I think it’s important to showcase the human side of theirs before we dive head on into superhero mode in the next films.

I’ve previously posted about my “thoughts on Martha” and reblogged other posts defending that scene, and I stand by it.

Keep in mind that this Bruce Wayne is a more jaded one (Zack Snyder said so himself; a little more Dark-Knight-Returns), one who is no longer beyond breaking his own “moral code”.

He was about to kill (KILL, people!) Superman. Something he refused to even do to the Joker for killing Jason, his adopted son. Even Damian, his biological son, asked him about this once: what if it were to happen to him? And, Bruce told him that they had to be better than their basal instincts (so, yes, not even for him).

Bruce was “out of character” on purpose – killing thugs, branding criminals, etc. It highlighted his change in demeanor in that “Martha” moment. The name snapped him out of this monster he was turning into, reminded him that what he was about to do was against everything that he stood for.

Dark, is it? Darn straight. You know why? This film tackles the pitfalls of unbridled power and trial by social media. These aren’t exactly… funny.

The film makes you ask questions that are as relevant now than they have ever been. That’s what comics in general have been doing for years. Entertainment is the big, beautiful bonus.

It’s such a work of art! It’s more invested in brains, than brawn. It’s somewhat “intellectual”, and appropriately so. (Very Bruce, if you ask me.)

As unfair (or ignorant) as I think some of the critique for the film is, the silver lining is that it all underscores how legendary Batman, Superman, Wonder Woman, and the rest of the characters are. Our standards for them are so high that we find ourselves nitpicking any piece of work that tries to recreate them. We simply want creative justice. This is true for any fandom.

Anyway, just had to “vent”.

It’s a little late, but Happy Anniversary, BvS!